An analysis of the predominance of the theme of death in the odes of Horace, Andrew Marvell and John Keats.
Written in 2008; 2,259 words; 13 sources; MLA; $ 69.95
Paper Summary:
This paper examines relates that an ode is a long lyric poem, which is meant to be sung to someone or something and that the pioneers of this form were the two classical writers Pindar and Horace. In particular, the paper discusses how whether it was the classical writer or the writers of the seventeenth century or that of the Romantic age, all dealt with the theme of death and how the elevated form of the ode befitted the intense theme of death. The paper examines the adoption and experimentation with the theme of death and the ode form by the classical poets, the seventeenth century poets and the Romantic poets.
From the Paper:
"Horace enjoyed the patronage of both Augustus1 and Maecenas2. Once he wrote: " Nothing, while in my right mind would compare to the delight of a friend." Of all his friendships, that with his patron Maecenas was the deepest. His ode has an artistic, thematic and pictorial variety and adheres to Epicureanism 3, implying escape from the world and personal freedom from care. At the same time it has overtones of the self sufficient stoic who masters his desires and limits his ambitions, with his aim set upon Aristotle's 'Golden Mean'4, the virtue which lies midway between two extremes. Horace was well aware that the 'pathetic fallacy'5 was a fallacy; in several of his odes Horace insists pulviset umbra sumus or 'we are dust and shadow'."
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