An analysis of the connection between William Shakespeare's works and the illustrations of William Blake and Henry Fuseli.
Written in 2007; 4,923 words; 14 sources; MLA; $ 125.95
Paper Summary:
This paper discusses the ways in which drama and painting can serve as interpretations or explanations of one another. The paper begins by introducing William Blake (1757 - 1827) and Henry Fuseli (1741 - 1825) as two chief illustrators of William Shakespeare's plays. It then describes some of the scenes from which the artists drew their inspiration using three major themes - the supernatural and the nightmare, the world of dreams and fantasy and the human condition and history.
Table of Contents:
Introduction
The Supernatural and the World of Nightmare
The Fairy World of Dreams and Fantasy
The Human Condition and History
Conclusion
From the Paper:
"The painting encapsulates all the drama we can expect from a work by Fuseli. As a matter of fact, the artist did several versions of the scene, including book illustrations and a painting that was exhibited at the Royal Academy in 1808. It is worth mentioning that the Cardinal's death was a popular subject for painters: Sir Joshua Reynolds, for instance, illustrated the same scene for the Boydell Shakespeare Gallery, and even Nicolas Poussin was inspired by that very passage. Fuseli introduces agitated figures in a very fluid composition, but there is a clear allusion to an earlier work, especially the way of gathering the figures around a central character, along with the arm pointed upward, paying homage to a drawing by Poussin, whom Fuseli admired a lot. The painting is a good example of the human condition, because it encapsulates various philosophical themes, such as life and death, guilt, suffering, and so forth."
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