"Marnie"

Paper Summary:

This paper discusses Alfred Hitchcock's 1964 film, "Marnie." The paper describes the ways in which the film lends itself well to different types of film criticism, including psychoanalytic, Marxist, and feminist criticism. The paper particularly focuses on the character of Marnie and describes her from a Freudian, Marxist and feminist perspective.

From the Paper:

"In terms of Freudian psychoanalytic criticism, Marnie herself would be the subject for analysis, though Mark might be analyzed as well. Marnie is a thief, and as the film progresses, it is also clear that she hates men and steals in part as a way of getting even with them for something not stated overtly until the end of the film. She is forced to marry Mark in order to protect herself, but she would be completely frigid even without the added element of coercion. As she begins to care for him, she still remains frigid and is unable to change or to recognize the reasons why."

Sample of Sources Used:

• Hitchcock, Alfred. Marnie. Universal Pictures, 1964.

APA Citation:

MLA Citation: