An in-depth discussion on the development and use of the documentary film throughout the 1930s and beyond.
Written in 2009; 3,120 words; 6 sources; MLA; $ 90.95
Paper Summary:
This paper focuses on the development of documentary films. The paper first looks at the role of John Grierson in the development of the documentary film in the 1930s and examines his documentary called "The Drifters". The paper then looks at how Germans utilized the documentary film during World War II, specifically those films made by Leni Riefenstahl. Finally, the paper discusses the development of neorealism during and after World War II and how it borrowed a good deal from the documentary film.
Outline:
John Grierson and the Documentary Film Movement
The Documentary Film in Germany
The Development of Neorealism
From the Paper:
"John Grierson was a key figure in the development of the documentary film in the 1930s and beyond, helping to create and operate a number of documentary film units in Britain and Canada and himself directing a key documentary in 1930 called The Drifters. Grierson also wrote a good deal about the documentary, and while he never wrote a comprehensive aesthetic of the documentary, one can be gleaned from the many writings he did do."
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