Written in 2007; 2,949 words; 6 sources; MLA; $ 87.95
Paper Summary:
This paper analyzes the poetry of Robert Creeley, explaining how his style breaks both traditional formal structures and perceptions.
The author has chosen two of Creeley's poems in particular, "The Window" and "The Language", to illustrate how his relationship through a mode of expression is itself examined in relation to the object of language.
From the Paper:
"The poetry of Robert Creeley breaks both traditional formal structures and perceptions in an attempt to not only describe a more authentic interaction with phenomenological experience, but to reenact this relationship through a mode of expression that allows its form to arise from the dynamic interaction of the content. Two of Creeley's poems, "The Window" and "The Language", address the manner in which the form of the poem engenders an enactment of the ontological position of the poet, and illustrate how such expression is able to authentically recreate the experienced. The poetics of "Projective Verse", to which Creeley contributed, offer an explication of the relationship of the poet to the 'real' that does not assume the traditional subject / object relationship of western thought. This leads to the abandonment of the conventional poetic forms that restrict the authentic expression of experience through the presuppositions of their conceptual structures. Composition is instead intended to utilize the space of the page in a reenactment of the non-linear interplay of objects in the 'real', through the visual, aural and linguistic aspects of poetry. This mode of expression is itself examined in relation to the object of language, leading to the location of authentic meaning in the potentiality of speech at the moment of human utterance."
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