The Impact of Robert Adam

Paper Summary:

This paper discusses the contributions of Robert Adam to architecture, with an emphasis on his design innovations. These include his introduction of the classical revival style in both architecture and interior decoration during the last half of the 1700s. The paper describes Adam as reacting against the Neo-Palladian styles that was in vogue in the first part of the century. The paper also touches on some of the artistic works that influenced Adam's style, such as Etruscan vases. Adam's interior design is also examined and noteworthy examples of his architecture and interior design are cited with illustrations.

Outline:
Interior and Exterior Designs Preceding and During the Time of Robert Adam
Adam's Visual Design Composition
Contextural Design
Adam's influence on Early Neoclassical Design
Conclusion

From the Paper:

"The materials used by the designers during the 18th century reflected the industrial revolution, in that they were able to utilize improved older materials. Bricks were fired at higher temperatures and became different colors. Stucco and ceramic tiles were also utilized, with decorative or highly colored motifs that carried designs or imitated brick. Improved casting techniques allowed designers to use decorative ironwork to create delicate, Neoclassical patterns that were used in balconies and window frames. Structural ironwork was also used in staircases, increases and iron plates that helped fireproof structures. "

Sample of Sources Used:

• Dennis S. (1991). The Illustrated Encyclopedia of Architects and Architecture. New York: Quatro Publishing.. p 11.
• Harwood, B., May, B., Sherman C. (2002). Architecture and Interior Design through the 18th Century, an Integrated History. Upper Saddle River, NJ: Prentice Hall.
• Palladianism. (2006). In Encyclopaedia Britannica. Retrieved November 13, 2006, from Encyclopaedia Britannica Online: http://www.britannica.com/eb/article-9058116
• Roth, L. M. (1993). Understanding Architecture: Its Elements, History and Meaning, First, Boulder, CO: Westview Press, 397-402.

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