This paper explores the representation of the East in Giacomo Puccini's opera "Turandot."
Written in 2007; 3,907 words; 8 sources; APA; $ 106.95
Paper Summary:
This paper examines the Opera "Turandot" and how the Orient is portrayed in relation to Western conceptions of the East. This research uses Edward Said's essay on Orientalism to further construct the exotic East in "Turandot." Also addressed is the question "how does this opera exemplify the East as being savage and archaic when compared to Western thought and culture?" Both Orientalism and the writings of Edward Said are discussed.
Outline:
Abstract
Objective
Introduction
Overview of Orientalism
Overview of Edward Said
Overview of the "Turandot" Opera
Gozzi's "Turandot" Opera
Puccini's "Turandot"- Giacomo Puccini (1858-1924)
An Asian view of the "Turando" opera
Discussion
Bibliography
From the Paper:
"The Metropolitan Opera states that "Orientalism is the term used to describe Western fascination with the 'exotic' cultures of the Eastern hemisphere." Stated as well is that Many works of art, including operas like "Die Entfuhrung aus dem Serail' and 'Madama Butterfly', have illustrated and enforced the West's idea of the dangerous, sensual, alien East." (Metropolitan Opera, 2006) The Metropolitan Opera further reveals that: "In order to create a more 'realistic Chinese atmosphere, Puccini read many books on the culture and ceremonies of China. He also sought out real Chinese music to imitate." (Metropolitan Opera, 2006) "
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