Claudio Monteverdi
Claudio Monteverdi
This in-depth paper explores the life and many accomplishments of composer and musical genius Claudio Monteverdi, also known as the transformer of European music.
4,344 words (
approx. 17.4 pages) |
12 sources |
MLA | 2006
Paper Summary:
This well-researched paper chronicles the life of classical composer Claudio Monteverdi, beginning with his birth in 1567, in northern Italy. Monteverdi was labeled a creative and dominant musical genius while still a child. The writer of this paper discusses the external influences in Monteverdi's life that motivated and aided in his creating and composing musical masterpieces which garnered him well deserved respect and fame as an influential composer. Monteverdi published two books detailing his madrigal music in 1603 and 1605 respectively. Both pieces of music integrated the avant-garde manner with the composer's idiom. The writer examines the creation of "The Opera of Orfeo" which cemented Monteverdi's status as a talented and influential composer. This in-depth paper contains much research and information regarding the various works of music created and composed by Monteverdi which explains why he was and still is considered the transformer of European music.
Table of Contents:
The Early Years
The World Beyond Home
The Madrigal Masterpieces
The Grief - Composition of "L'Arianna"
A Toil in Vain - Composition of Counter-Reformation
The Golden Period - Appointment at St. Mark's
The Commissions
The Last Decade
The Madrigal
The Artusi-Monteverdi Controversy Over Monteverdi's Madrigals
"Mantuan Context" for Monteverdi's Madrigal Composition
The Inspirations of Monteverdi
Marc'Antonio Ingegneri
Giaches de Wert
Wert & Monteverdi
Conclusion
The Esteem in Art History
The Fortunate Opposition
Monteverdi's Madrigals
Monteverdi - A Teacher for Generations
References
From the Paper:
"The Opera of Orfeo established Monteverdi's status as a talented composer. This opera established that the composer knew much more about this music genre than his forerunners ever did. For example, his recitative was suppler and representative than any of them had. Monteverdi's recitatives were on the basis of the oratorical melody of his madrigals, instead of being found on the ancestor's theories of sensitive speech. After the passage of few months since the production of Orfeo, Monteverdi's wife, Claudia Cattaneo, passed away when she ultimately surrendered to months of sickness. This impelled Monteverdi, in an unhappy condition, to return to the home of his father to lament the death of Claudia."
Claudio Monteverdi (2012, January 15). Retrieved February 12, 2012, from http://www.academon.com/Research-Paper-Claudio-Monteverdi/66914
"Claudio Monteverdi" 15 January 2012. Web. 12 Feb. 2012. <http://www.academon.com/Research-Paper-Claudio-Monteverdi/66914>