A discussion of the forms of music popular in Brazil today.
Written in 2007; 2,217 words; 10 sources; MLA; $ 68.95
Paper Summary:
The paper illustrates how music is the heart of Brazil and is the foundation for many of Brazil's festivities and a focal point for religious ceremonies. The paper shows how, as the universal language, music reaches across all cultural and socio-economic boundaries and no where is this more true than in Brazil. The paper discusses Samba, the most internationally famous form of Brazilian music and the Bossa Nova genre that has become very popular within the international community. The paper contends that throughout the decades, Brazilian music has managed to attain and retain its original ethnic expression and continues to represent the heart of Brazil.
From the Paper:
"The 1578 "Journey to the Land of Brazil" by Jean De Lery, a French Calvinist pastor, is the source for the earliest known descriptions of Brazilian music, in which he describes the dances and transcribed the music of the Tupi people (Music). In 1587, Gabriel Soares de Sousa's "Tratado Descritivo do Brasil" depicts the music of several native Brazilian ethnic groups, including the Tamoios and Tupinambas (Music). Portugal's King Joao VI, who was a lover of music, spent a good deal of time in Brazil, and even sent for prominent European musicians to join him (Music). Among these musicians were Austrian pianist Sigismund von Neukomm and composer Marcos Portugal, while local Brazilian musician, Jose Mauricio Nunes Garcia, an organist and clavichordist, was appointed Inspector to the Royal Chapel (Music)."
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