This paper explains that William Butler Yeats 'poem 'No Second Troy', from the collection "From the Green Helmet and Other Poems", employs myths as significant tools of ideology articulation. Yeats' use of Homeric myths to bring about a conflation of opposite spaces of the private and public, heroic past and turbulent present and love and war is examined by the author. The paper underscores that the poem was written when Yeats was disillusioned by the Irish nationalist movement and was highly critical of Maud Gonne's participation in it.
From the Paper:
"Similarly, fire as a basic element of nature with its extreme attributes of intense heat and light can be simultaneously associated with both passion and violence. Moreover, the poem with its four rhetorical questions, with harsh-syllabled words like: "violent ways", "hurled", "burn" and war-like images of bow and fire, together culminate into a highly loaded and strained experience of an anguished lover whose love has been repeatedly thwarted. For this reason, the poem leaves a lot of room for psychoanalytic interpretations."
Sample of Sources Used:
Moses, Michael Valdez. "The Poet As Politician"
Myth and reality in Irish literature - by Joseph Ronsley
A Routledge literary sourcebook on the poems of W.B. Yeats By Michael O'Neill
Yeats: The Man and the Masks: Richard Ellmann
William Butler Yeats Selected Poetry: Anupam Thapa
More papers on William Butler Yeats' 'No Second Troy':
William Butler Yeats' 'No Second Troy' (2012, January 15). Retrieved February 10, 2012, from http://www.academon.com/Poem-Review-William-Butler-Yeats'-'No-Second-Troy'/113856