An analysis of the ways in which Theophilus Presbyter influenced later practices of other artists, particularly looking at his treatise, "On Divers Art."
Written in 2008; 2,144 words; 10 sources; MLA; $ 67.95
Paper Summary:
This paper discusses the impact that Theophilus Presbyter's had on the course of painting history. The paper examines his origins and his stature as an impressive cataloguer of the preferred methods of his time as well as how he might very well have influenced the development of Jan Van Eyck's impressive body of work. The paper particularly explores how Theophilus influenced the later practices of other artists - from those working with wood in England to Renaissance masters to the notable Florentine painter, Nardo di Cione. The paper focuses on Theophilus' treatise, "On Divers Art."
From the Paper:
"The importance of Theophilus's treatise can scarcely be exaggerated - at least if one is a scholar of medieval art. Specifically, On Divers Arts is widely regarded as the foremost treatise available on the painting, glass-making and metal-working arts of the Middle Ages; certainly, this the general view of John G. Hawthorne and famous medieval translator and historian, C.S. Smith, who make that bold proclamation on the cover pages of their 1979 text devoted to the path-breaking work of Theophilus Presbyter (for full bibliographic information, please see the reference list at the conclusion of this paper). In that respect, the aforementioned twelfth century work may rightly be described as not only pertinent to any understanding of medieval painting, but as the best resource available to modern-day students and scholars eager to learn more about how the panel paintings, stained glass masterpieces, and canvasses of twelfth century Europe were produced."
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