Abstract A paper discussing the topic of music therapy. Several instances of how music has been proven to have healing qualities for the mind, body, and soul are examined. The author looks at topic of vibrational healing.
From the Paper "Music has always been a part of our lives. It can make us sing, dance, and tap our toes to its rhythms. It has the power to make us laugh or cry. Music can help us remember special times or create a new memory. Over the years, the interest in the amazing effects of music on our lives has dramatically increased. The study of these effects of music is called music therapy. Although many different types of music can yield many different results, researchers discovered that most of these results come from either baroque or classical music, such as music composed by Bach or Mozart and improve the well being of people. This is also known as vibrational healing, which is the utilization of the sounds of the voice and instruments to improve the body; the instruments may be musical or just ordinary objects that make a particular sound, such as a tuning fork. Because of this, people of all ages have been shown to benefit from the positive effects music has on the body and the mind."
Abstract This paper provides an in depth look at the history of jazz, the early development of the music style, through African American musicians trying to create music that was uplifting; the direct opposite of the blues. The author discusses rhythm and instrumentation, numerous jazz artists and popular tunes.
From the Paper "Jazz is associated with the African American people and this is an influence unequaled in the field of music. The true spirit of jazz arises from a revolt from convention, custom, authority, and boredom, even sorrow, from everything that would confine the soul of man. The blacks that invented it called their songs the blues, and they weren't capable of satire or deception. Jazz was their explosive attempt to cast off the blues and be happy, carefree happy, even in the midst of sordidness and sorrow. Jazz is a release of all the suppressed emotions at once. Jazz is a part of the direct process of African American music. In rhythm it goes directly back through ragtime, through the minstrel period, through the spirituals and dances to its African origin."
Abstract This paper explains in detail the consumer benefits of trading music files over the Internet on the Napster web site. It provides a historical overview of the growth of the company and its enormous popularity. It touches upon the copywriting controversy being fought in court.
From the Paper "The Napster is one of the most controversial and popular systems produced by the Internet. Unlike the many dot.com companies that have fallen by the wayside in droves, the controversy surrounding the Napster rages on and its popularity continues to grow. Still, the question remains, is it a form of artistic piracy? Or is it the greatest way for consumers to explore the wide range of musical forms and musical talent in the world and on the web?
The history of the Napster began in January 1999, making it fairly old in terms of Internet chronology. Shawn Fanning created it while he was a nineteen-year- old student at Northeastern University. At present, Shawn Fanning lives in San Mateo, California, just a few minutes from the Napster offices. He rooms with Sean Parker, the twenty-year-old co-founder of Napster Inc. (Rollingstone.com) Their invention allows students to download songs for free from the Internet without buying the band's album, without paying any royalties to either the music company or the musicians who produced the music. At the end of 1999, 20 million Internet surfers had made use of the technology. By 2000, the number increased to nearly 70 million. (CNET News.com)"
Abstract This paper explores Stravinsky's long and monumental musical career, discusses the different styles of music that he adopted and developed along the way and explains how the brilliant composer reflected the cultural and historical environment of the times in his work. It also takes a brief look at Russian culture and folk music and assesses how it influenced Stravinsky's music.
From the Paper "Recognized as one of the promising young musical talents, Stravinsky was now ready for greater things in life. Even before Petrushka (1911) Stravinsky wanted to write a symphonic pagan ritual initially titled Great Sacrifice. Diaghalev persuaded him to cast it in the form of a ballet that came to be called The Rite of Spring and was destined to herald the start of the modernist era in classical music. The first performance of The Rite at the Theatre des Champs Elysees, Paris on May 29, 1913 has become ?the most notorious event in the musical history of the century.? (Glass, 2000). As soon as the first notes of the unusual music sounded, uproar broke out in the audience. Stravinsky's daring and creative music was cheered, protested and argued over so loudly during the performance that the dancers were unable to hear the orchestra and fights broke out in the audience. (Ibid.) Modern music would never be the same again."
Abstract A look at the formation of the 'Mighty Five', five Russian composers, Korsakov, Balakirev, Borodin, Mussorgsky and Glinka who changed Russian music and stance impacting recognition from the Western world. A look at their contributions and impact on the world of music.
From the Paper "The culmination of five ingenious, dedicated composers and one highly skilled evangelist led to the recognition of Russian music. This would be the recognition of a distinct, nationalist approach to music. Involving traditional melodies, and folk songs, and composed in a uniquely Russian manner. They would forever change Russian classical music, and made a large impact upon the rest of the Western world. It is important to recognize two key individuals; one Rimsky-Korsakov for his incredibly sophisticated works, and two the work of Stasov as propagandist. Finally the Mighty Five as a whole should be recognized for their achievements, contributions, and enduring impact on music.'
This paper shows why Elvis Presley rose to fame so quickly. It examines the social, race, political and youth issues of the time and explains how each one of these factors had a major influence on his success as a rock star.
2,350 words (approx. 9.4 pages), 9 sources, 2001, $ 72.95
Abstract This paper shows why Elvis Presley rose to fame so quickly. It examines the social, race, political and youth issues of the time and explains how each one of these factors had a major influence on his success as a rock star.
From the paper:
"Though some like to recall it as a time of innocence, it was in 1956 that the U.S. Supreme Court declared segregation on buses and trains unconstitutional, and the year of the Montgomery boycotts. Elvis, as he once told an interviewer, did not just happen to ?come along at the right time.? There is a social and cultural context to his success. Elvis mirrored the contradictions of the South. According to John Reed of the University of North Carolina, ?Aside from the way he moved his lower body, hell, he was a gospel-singing mama's boy.? Perhaps he also mirrored the contractions of post-war American youth seeking an identity apart from their parents."
Tags: rock, n, roll, music, social, war, expression
Abstract This paper is an in-depth examination of the Blues. It begins by taking a look at the Deep South roots of the original Blues during slavery and how it began to spread north to Harlem in the late 1900s. The birth of contemporary Blues in the 1940s is detailed and it looks at some of the musicians, such as Scott Joplin who began incorporating these rhythms into their music. The next area covered is the building of the Blues, and traces the growth of different genres from the original blues. According to this author, the legacy of the blues was set, when it reached the ears of Elvis Presley, which led to the birth of rock and roll.
From the Paper "The music that was originally known as the blues developed from a variety of hereditary and regional musical influences and practices popular among the people of the southern portion of the United States. The roots of all varieties of blues music can be traced to the southern states, particularly those that comprise the area of the nation known as the Deep South. The music originating in the hills and backwoods of Mississippi, Tennessee and Kentucky, music that has become most commonly associated with "hillbilly" bands and rhythms, is in fact a variety of the blues genre that is often referred to as "country blues" (Pooley 86). The style and genre that is most commonly associated with the blues, however, is also commonly associated with the nation's African-American sector and stems from the "Delta blues", a form of the blues that originated among the slave populations of the antebellum south and developed alongside its country "cousin" (86). This distinct musical style and form developed from the West African rhythms and beats that were brought to America by African slaves imported during the early years of slavery, rhythms and beats that were kept alive and passed down from generation to generation by the traditional music and songs of southern slaves."
Tags: musicians, south, deep, harlem, genre, rhythm, slavery, music, american, ragtime, emancipation, style, note, rock, roll
Abstract This paper analyzes Mozart's Concerto for Violin & Orchestra No. 3 in G Major, K. 216, Movement I - Allegro. By using time codes to help the reader identify major changes in tempo, soloists and recapitulation, one can listen along to the movement and have a better understanding of Mozart's genius when writing his concertos.
From the Paper "Mozart's Concerto No. 3 is in three movements. It was written in 1775 and the main theme played by the orchestra at the beginning of the first movement (Allegro) was borrowed from his Il re pastore ("The Shepherd King") (Lieberman, par. 2). The movement is set in the conventional sonata form with orchestral ritornellos alternating with the exposition, development, and recapitulation of the primary themes by the violin. The soloist gives a second exposition and the coda does not come until after an extended solo cadenza."
A discussion of the affects of World War II on American culture,focusing on popular music, visual arts, literature and our worldview for the years between the 1940s and 1950s.
Abstract This paper explores the great social and cultural changes that took place in America following the Second World War. It examines music, art and literature to show the changes in cultural trends. It looks at the shift in the job market and new opportunities for women in specific labor fields. The paper also discusses the baby boom era where many women returned to the home and focused on child rearing and homemaking. Changes in healthcare are also mentioned which came with progress in medical practices.
From the Paper "World War II changed the way we lived in America, and how we looked at the world. It also changed the way the world looked at us. We were a world power, who had won the war, and had a devastating weapon at our disposal. Our economy was booming, and life was good in the United States."
From the Paper "The music that became known as Rock and Roll did not really take hold in American culture until the mid-1950s but the loud, raucous, rhythm-based music that brought new African-American influences into the mainstream of popular culture produced immediate negative reactions among older generations who saw the music as a problem because it was seen as an invitation to sexual license, an instigation to social rebellion, and, in some cases, an intimation of the breakdown of racial segregation. Although previous fashions in music such as jazz, popular crooners, and big-band dance music had always enthralled a core youth audience there had never been a far-reaching change in musical style that threatened to be exclusively youth-oriented. Pop music of the early Fifties was a continuation of the crooners and big-band style that had prevailed for two decades; young people enjoyed..."
Abstract Charlie Parker, born Charles Christopher Parker in 1920, was a product of Kansas City jazz as developed in the 1920s and 1930s. Parker is associated with the development of the Bebop style, and he was highly influential on jazz players who followed him. His life was short and tragic, marked by drug addiction and attempted suicide.
From the Paper "Charlie Parker, born Charles Christopher Parker in 1920, was a product of Kansas City jazz as developed in the 1920s and 1930s. Parker is associated with the development of the Bebop style, and he was highly influential on jazz players who followed him. His life was short and tragic, marked by drug addiction and attempted suicide. He was 35 when he died, but his life had been so hard on him that the death certificate gave his age as 55 because that was how he appeared (Rich 47).
Bebop represents modern jazz, which emerged as a distinctive style from movements taking place from the 1920s. Ted Gioia associates bebop with the larger force of modernism, and he notes that jazz had from the first been a modernist music whose leaders always looked forward and developed new musical forms. The rise of a new and more open modernism in the 1940s seemed an abrupt ..."
From the Paper "During his career, Handel composed more than forty operas. Most of these operas show elements of Baroque music, such as the use of dance rhythms and elaborate melodic lines. Although he was born in Germany and lived most of his life in England, Handel's operas often follow the conventions of the Italian opera seria. Perhaps Handel's greatest contribution to the field of opera was his ability to convey emotions through melody. In this regard, he often used the opera seria convention of the da capo aria form to great effect.
George Frideric Handel was born in Halle, Germany, in 1685. His first two operas, Almira and Nero, were produced in Hamburg when he was less than twenty years old. In 1706, Handel traveled to Rome, where he learned about the Italian style of composing operas. During a visit to England in 1711, Handel produced..."
Abstract This paper discusses the application of MT to children, adults and medical patients The author pays special attention to autism. The paper designates the difference between creative and affective therapies.
Abstract This paper explains how Toni Morrison uses jazz and histories to explain African American displacement. t also looks at how the characters use jazz and the image of Dorcas to bring their identities full-circle. It examines, in particular, Joe and Violet's deconstruction and reconstruction and how this relates to the larger story of African American history.
From the Paper "The story begins with the outcome of the character's displacement, a murder and an attempt at a dead girl's mutilation. Right away the reader sees the fracture which converges in acts of violence. How it came to this point is where the story lies, found in pieces hoping to be put together, Violet's crack and Joe's traces. Along with the history that could allow these individuals to come such a state; the brutalized body of slavery and post-Civil War oppression. Morrison tries to find a restructured identity in which lies the power to heal. Dorcas and jazz are instruments towards that healing (Jones 481)."
