Abstract This paper provides a detailed account of the Music therapy method of treatment especially in the critical care units. It shows how modern scientists agree that many different kinds of music can be therapeutic. Some people respond well to reggae or jazz. Others are uplifted or in fact healed, when they listen to Gregorian chant, or heavy metal.
From the paper:
"Music Therapy is a form of sound wave therapy which includes several other different tools and methods. The music therapists or the sound therapists in general work with tuning forks, song pods, toning, and music. Tuning Forks produce pure sounds when tapped. The human bodies in actual acts like a resonating board to the pulses of the universe as the major part of the human body is water. The human cells resound with the vibrations of the sounds by which they are surrounded in the daily life. When tuning forks are being used the energy blocks can be released and the physical system can be brought back into alignment. The sounds can also balance the spiritual, emotional and mental bodies by creating sounds through the tuning fork that the nervous system and the whole body can harmonize to. The other tool is the song pods."
Abstract This paper addresses the body of work that is now known as Modernism, including an examination of how it developed and what has succeeded it. It gives examples from the world of art, music and architecture - Mark Chagall, Frank Lloyd Wright, Gustave Courbet and others.
From the paper:
"Modernism is a much harder artistic style to define than either Romanticism or Realism ? although not as difficult as Postmodernism. This probably results in part from the fact that the closer a style is to one's own moment in history the more difficult it is to assess, but it also has to do with the fact that Modernism is itself a complex movement. It is not the relatively straightforward reaction against the movement before it that Realism was, nor is it a reaction against a single historical change in the way that Romanticism was primarily a response to industrialization."
Abstract This paper describes the origins of American popular music in European and African culture. The author claims that In effect, American music is a hybrid of musical movements from blues and spirituals to European folk music.
From the Paper "Much of American culture bears the mark of the melting pot effect. Essentially a land of immigrants, America has served, in many ways, as a palette from which popular culture draws an innumerable array of shades. As such, popular social trends often are a reflection of the hybrid mainstream instinct. Pop music, in its incubational phases, is highly indicative of that notion. This is particularly evident in ostensibly indigenous musical movements like blues/folk music and spirituals, both of which employ extensive European and African influences, social imports that create a tapestry of globally unique and distinctively American sounds."
Tags: art, jazz, music, race relations, rock, social traditional, values, blues, folk, Africian American
Abstract This paper is an in-depth look at the history of piano pedagogy and how it has evolved throughout history. It gives many examples of different philosophies of piano pedagogy and uses many different composers styles. This paper examines many different cultures and how they each have much in common, but their own distinct styles.
From the Paper "Piano pedagogy is the basis of any pianist's education and future. Throughout music history, the approach to attain a proper piano education has varied. Different schools of thought have influenced the ways pianists are trained in both technique and repertoire. The differences in piano pedagogy depend on both the pianist's and pedagogue's nationality and what type of literature is composed and heard during that time period."
Abstract This paper is a review of "The Rose that Grew from Concrete." The author reviews a collection of poems by Tupak Shakur, the rapper who died young under tragic circumstances. The collection of 100 autobiographical poems are used to demonstrate Skakur's background. This compilation serves as a commentary on the life that he and so many of today's black youth had come from, gangs, drugs and the concrete jungle.
From the Paper "First, this symbolic and metaphorical poem presents the image of a rose growing from a crack in the concrete, where one would normally see a few stray weeds or on a busy street nothing at all. Everyone has seen little weeds that sprout up between the cracks in the sidewalk, maybe even a dandelion or blade of grass, but this poem depicts an elegant and gorgeous rose, and implied vivid red petals and perhaps thorns, sprouting up from between the cracks, which when taken on face value seems somewhat nonsensical. However, if one carefully examines these first two lines and takes into account the autobiographical nature of this poem they will see that what Tupak is saying is that he is a rose who has not been given the opportunity to grow and in it's beauty is somewhat out of place but, despite that continues to grow from between the cracks in the concrete. With his "thorns" inevitably created as a product of his environment Tupak has been able to flourish where no one else he knew could, as has this exquisite rose. This is a very beautiful line because it shows that in the midst of our forest of stone something beautiful can still strive."
Abstract This paper discusses some of the composer Aaron Copland's well-known compositions and analyzes his contribution to modern classical music. It includes an autobiographical account of Copland's life growing up in New York. It details his music and gives examples of his famous ballets and scores. It also describes his main influences in the music world. Finally, it details his great contribution with works such as: "Rodeo", and "Fanfare for the Common Man" making him one of the most loved American composers of all time.
From the Paper "Popular jazz and be-bop music heavily influenced his early works. As he matured, he began to compose strictly in the modern classical style, and most of his work falls under this style. His music most often celebrated the unique American character that he found so appealing. His ballets and scores included ?Rodeo,? ?Appalachian Spring,? ?A Lincoln Portrait,? ?Theme for the Common Man,? and ?Billy the Kid.? He also wrote numerous piano concertos, smaller pieces, and two sets of ?Old American Songs,? which were arrangements of traditional folk tunes "that became so popular in their piano and orchestral versions as to eclipse the original melodies on which they were based" (Hampson). At the height of his popularity and career in 1944, Copland's score for "Appalachian Spring" won the Pulitzer Prize for music. Yet, he continued to write for thirty years after this apex of his work. "
Abstract This paper examines rap music and how it affects African-American culture. It contains excerpts of Frederick Douglass' autobiography
'Narrative of the Life of Frederick Douglass' which discusses slavery. It discusses several terms in rap music such as: Gangsta Rap, obscene language, as well as discusses several Record labels. This paper concludes windfall is based on a tried and true system of degradation like slavery.
From the Paper "Frederick Douglass in his autobiography, 'Narrative of the Life of Frederick Douglass', skillfully illustrates the exploitation and cruelty of the institution of slavery. The degradation and mistreatment visited upon African-Americans continues to this day. The most shocking detail of the ongoing humiliation facing African- Americans is who the facilitators are. The insurgence of the "ghetto" rap music industry continues to uphold the values of the slaveowners to the tune of a billion-dollars a year."
Tags: Rap, Music, institution, Frederick, Douglass, African, American, facilitator, industry
Abstract The writer looks at the song "Money", and raises the following points - Roger Waters? references to our social hierarchy, how his ideas relate to Thorstein Veblen's 'Theory of the Leisure Class', and class discrimination. This song brings to light concerns about our current economy. Bob Seger's song, "Feel Like A Number," also deals with the social hierarchy from the perspective of the workers that make up the majority of our society. This song has been related to Merton's Strain Theory for sociological purposes.
From the Paper The song "Money" seems to deal with people and their desire to possess more money. The song also implies that money is not such a wonderful thing to attain beyond a certain amount based on the fact that it gives the person too much power, or rather the belief that he has power. It seems to be broaching the idea of capitalism with skepticism. The message seems to be claiming that those with money and power let it get to their heads and do very little to help change the situations for those less fortunate. In a sense, Waters is disagreeing with the functionalist view that our society will work itself out. He words it as though he feels that it is dysfunctional in our society to allow the wealthy to hold their earnings with an iron grip.
Abstract This paper explores how music and the theatre have always worked together for as long as humanity has engaged in staging productions. It shows that music has played a part, sometimes minor, sometimes major, in many theatrical productions; however, since the late nineteenth century with the birth of the modern musical theater it has continued to gain importance and social relevance. The writer shows that as they gained in popularity, musicals became an entertaining forum for discussing relevant social issues, depicting the plights and victories of modern Western society.
From the Paper "The first musical comedies began to emerge in the 1880?s, thanks to a pair called Harrigan and Hart. They were the owners of the Theatre Comique on lower Broadway. Unlike the Extravaganzas of the previous decade, Harrigan and Hart's musical comedies began to stir up some social awareness. Many of the comedies that were staged on Broadway took place in the dishevelled streets of Manhattan, with characters reflecting the lives of those who lived and worked there. While the productions certainly took a comical viewpoint, the audience was very aware of the reality of the situation."
Abstract The author takes the reader on an exploratory journey, in which the details and outcomes of several well-known cases of copyright laws are scrutinized. The author discusses the importance of copyright laws, and the elements of various cases that caused the rulings to go the way they did. The paper includes a discussion about the effect Hollywood has on copyrights when it comes to issues such as the ability to download movies and songs.
From the Paper "Throughout the years, there have been many cases in which the copyright laws have been challenged and upheld. In more recent years many of the copyright cases have turned to the film and music industry because of the increased ability to duplicate and distribute such products. One of the famous case in recent history was the Sony vs Betamax case. This case was before the internet was invented and for its time it was about state of the art wars on ownership."
Abstract Internet retailers and High St. shops were analysed in this report on the effectiveness of on-line music business retail comparative to traditional chain stores and independants. In the interviews people were asked to give their reasons they prefered buying in any specific manner and these answers were analyzed.
From the Paper "Years ago, when the internet first emerged in its current form, the thought that one day we would be buying anything, let alone household products, using a computer was laughable. So why did things change? Or did they change at all? Do we now buy more things over the Internet than anyone could ever imagine? Or is it all just still, well quite frankly, a bit of a grey area? "
Tags: internet, marketing, retail, uk, music, industry, cyber, business
Abstract An examination of the effect that free internet downloadable music has had on record companies. The paper also addresses legislation and moral aspects about this phenomena and how it can be controlled. The paper shows that despite the controversy over the music piracy that the MP3 format allows and the fact that online music sharing may be illegal, MP3's stimulate record sales.
From the Paper "Through the arrival of the MP3 audio compression format, it became painless for internet users who wanted free music to get free music. MP3 opened a gate to a path that led to the widespread illegal replication of copyrighted music. There is a debate over how the effects of pirated MP3 music have affected the recording industry. Record companies stress that MP3's have caused record sales to plummet while MP3 enthusiasts and various musicians pronounce that MP3's assist the music industry. Despite the controversy over the music piracy that the MP3 format ensues and the fact that online music sharing may be illegal, MP3's stimulate record sales."
Tags: artists, industry, mp3, recording, music, sales, record
Abstract This paper deals with public outcry against certain country music songs dealing with domestic abuse, namely, "Goodbye Earl" by the Dixie Chicks. It asserts that the public's outrage over the song, rather than the topic the song examines, is a result of socially sanctioned gender roles as well as a misunderstanding of the phenomenon of spousal abuse.
From the Paper "Troubled relationships have long been a focus of popular music. From break-ups and resultant depression to serious battery and final retribution, popular music has served as a constant commentary on human beings and their failed attempts at romantic relationships. While most singers and songwriters tend to focus on the more accessible topic of painful separations when looking at failed relationships, many have also taken a close look at the darker side of these relationships, when love transforms into violence. Before the 1960s, most songs dealing with the subject of domestic violence focused only on the abuse and, in some cases, the eventual death of the female partner. It wasn't until the sexual revolution that songs about domestic violence began to be sung from the perspective of the abused."
Abstract Tupac Shakur was a poet, an actor and the voice of a generation. He was able to make movies and videos, write and record music, and still found time to write remarkable poetry before his untimely death. His poetry was only published after his death in a collection of over 100 poems titled autobiographically 'The Rose That Grew From Concrete'. This paper includes an excerpt of the said poem as well as an analysis of the themes and literary tools used.
From the Paper " Every era has its classically wonderful artists. Every now and then, there is an artist who truly surprises everyone and breaks barriers for every category of artist that existed before he or she. For our time, that surprisingly (or not so surprisingly to some) talented artist is one Tupac Amaru Shakur. Tupac Amaru are Inca words that mean Shining Serpent. Shakur means thankful to God in Arabic. He was a person who is and was thought of as only an unruly gang-related thug. Although he referred to himself as a thug, he once stated in an interview "you know I'm a business man because you only find me at my places of business". His places of business were the recording studio or on the set of a movie or video."
Abstract This paper explores the life and works of Sidney Bechet, the great soprano saxophonist and one of the most innovative and original clarinetists in jazz. The author describes the key quality that Bechet brought to jazz was his musical freedom, his Creole heritage and the musical influence of his family. Bechet's music is all about singing and he truly seemed to find his voice when he mastered the sax and was a great improviser with a passion for life as well as music.
Table of Contents
About Sidney Bechet
Musical Style
Soprano Sax and Clarinet
Other Instruments
Comparing Styles through his Music
Literature Review
Summary
Bibliography
From the Paper "Sidney Bechet was a pioneer jazz musician who changed the music of his time into a unique art form. Considered to be one of the greatest jazz musicians of New Orleans, Bechet was an innovator on both the clarinet and saxophone. His music changed jazz music forever and inspired countless musicians of all types.
Bechet was born in New Orleans in May 1897. He was of Creole ancestry and grew up in a middle class neighborhood. He was greatly influenced by music, as his father, a shoemaker, played the flute as a hobby, and his four brothers played various instruments, as well. (Chilton)"
