Abstract The paper shows that Anouilh's remake subordinated the themes connected to the duty to the divine -- which were so integral to Greek culture. Remaking the play in the context of World War II France, Anouilh focused more on the issues of integrity and political freedom. Disinterested in the notion of human rebellion again divine principle (which was Sophocles' preoccupation), Anouilh focused on the heroism of individual courage.
Abstract "Antigone", by JeanAnouilh, is a retelling of the Greek play of the same name. Anouilh's version was a thinly disguised criticism of the Vichy government of his native France and was banned by the Nazis. The paper provides an analysis of the play and shows how the audience of that time could well relate to themes of fate, courage, and the defense of values.
From the Paper "French audiences who had just been liberated from Nazi/Vichy rule must have welcomed such a play. Antigone is presented as a truly tragic heroine, someone who could not compromise her values under any circumstances. This would have emphasized the opinion of many regarding the Vichy regime, which was made up of French leaders who decided to attempt to placate the Nazis. There is no doubt that when Antigone stood alone against the king's power, she sealed her fate. Creon could not have felt secure on the throne, given that the previous king and the two rightful heirs had all just died in what amounted to civil war."
Abstract This paper introduces and analyzes the play, "Eurydice", by JeanAnouilh. Specifically, it discusses the contrasting idealism and realism in two representative places in the story and whether Eurydice is innocent or not. It examines how the themes of idealism, innocence, and realism intertwine to form the backdrop for a startling group of players, with the innocent and yet worldly Eurydice at the pivot point of the play. It also looks at the underlying meaning the author is attempting to get across to his audience. This tragic story shows how love can affect people and bring out the best and worst in people.
From the Paper "The play contrasts idealism and realism quite effectively. Idealism shows itself from the start, when the two characters fall in love with each other without knowing a thing about each other. Playwright Anouilh writes, "'I'll never leave you.' 'Will you swear that?'" (Anouilh 66). These two do not know each other, and yet they already are pledging themselves to each other. This is the ultimate in idealism. Here it is shown as young and innocent love that believes anything is possible. The two "children" have not lived enough to understand the difficulties and realism of life, and so, they believe their love is possible, which of course, it is not. Eurydice sees this dimly when she says, "'D'you think you'll make me very unhappy?'" (Anouilh 66). She says it almost as if she does not believe it, and yet, she is worldly enough to know that the idealism of youth is soon replaced by the reality of age, because she was ravaged young, and has lived a hard life. Orpheus embodies the innocence and idealism of the couple, because he will do anything to stay with Eurydice, even abandon his father and consort with the devil. Orpheus is idealism personified, while Eurydice leans toward realism, because her life has actually been more difficult even than Orpheus' life."
Abstract The paper reports on the company and the product "Apple Bottoms Jeans", a line of women's jeans designed by a rapper named Nelly and sold through a distribution company. The paper examines how Nelly designs the clothing and his cousin operates the company. The paper further examines how the company does its own marketing, and the product is sold through an association with the music world, as well as other endorsements and methods of marketing.
From the Paper "Apple Bottom Jeans is a company that has had considerable success in a relatively short period of time. It is also a company with an unusual genesis, having been created by a hip-hop artist who designed a pair of jeans for women and has since marketed those jeans in a very effective manner."
Abstract This paper compares Michel Foucault and Jean-Francois Lyotard, both early postmodern philosophers, through the use of two of their works, as well as other sources. These works are Foucault's "The Body of the Condemned" and Lyotard's "The Postmodern Condition". In addition to these works, other information about Foucault and Lyotard is used to indicate the similarities and differences between these two works, their philosophies and their beliefs. While the two works are analyzed, the overall philosophies of Foucault and Lyotard are also addressed.
Outline:
Michel Foucault
Jean-Francois Lyotard
Conclusion
From the Paper "Foucault fits into the general philosophical tradition, but it is the critical tradition, similar to Kant, and most of what Foucault writes about and proclaims is a very critical history where human nature and thought is concerned (Foucault, n.d.). This does not mean that the history of ideas that he discusses is also an analysis of the errors that might be seen when issues are examined after the fact. Instead, it should be taken to mean that Foucault's work is an analysis based on the relationship between object and subject, and what conditions are seen to either form or modify those relationships (Foucault, n.d.)."
Antigone and Creon are poised against each other in a battle of reasoning in Anouilh's "Antigone". This paper explores the degenerative qualities of their innate opposition.
1,106 words (approx. 4.4 pages), 0 sources, 2006, $ 38.95
Abstract Following brief, brutal conflict, the opposing qualities between Antigone and Creon prove to cause disastrous results on both sides of the opposition, though Antigone pays the greater price. Using a scholarly article entitled "Patterns of Imagery and Anouilh's Antigone" by the widely respected William Calin, this paper explores, in detail, the images associated with Antigone and Creon and what the consequences of their brutal interaction are in Anouilh's work, "Antigone". The first comparison examines Antigone's youthful naivety in comparison to Creon's aged indifference. Next, Antigone's association with nature is set against Creon's ties with civilization. In another comparison, this paper explores Antigone's beauty in comparison to Creon's ugliness. Finally, the paper delves into Creon's qualities of dominion which are thrown into upheaval by Antigone's rebelliousness. The paper closes by questioning whether or not Creon is actually victorious in spite of Antigone's death.
From the Paper "Throughout her entire argument with Creon, Antigone remains violently opposed to whatever Creon has to say; even when Creon makes a valid point to diffuse Antigone's argument, she modifies her stance just to stay in opposition with Creon. It is almost as if a law governs Antigone's personality, one that does not allow her to wholly agree on anything Creon says, thus perpetually putting her at odds, inevitably calling for her death."
Abstract This paper reviews the intertwined, complicated history of denim jean fabric and how the name came about. This paper also takes a look at how the denim jean fabric has had an impact on society, fashion and culture.
Contents:
Introduction
The Origin of Jeans Technical Aspects: What is Denim?
The History of Blue Jeans Impact on Society
Conclusion
From the Paper "There are several sources which ascribe various meanings to the word denim. Many of the source books on the subject state that denim is derived from the English translation of the South of France French phrase 'serge de Nimes'. Denim fashion history has therefore become associated with Serge de Nimes. (Denim Jeans - Fashion History). The Serge de Nimes was originally a wool silk mix, twill weave. There was also fabric which was known as "nim" in France and both these fabrics were composed partly of wool. (A history of Denim)
The word "Jeans" is considered by most source to come from 'Genoese'. This was the name give to Italian sailors in Genoa who "...when at sea dressed in blue fustian fabric composed of a cotton and wool or linen blend." (The Blue Jeans Story) Another European fabric made from a cotton, linen and wool blend "... was known as 'jean' after the sailors of Genoa, Italy, who wore it." (Denim Jeans - Fashion History)"
Abstract The ideology of Jeans in the United States has been changing for decades due to the shift in pop culture. Because of the diversity of American culture, the idea behind the jeans has evolved from hard-working to self identification. The author examines the changing symbolic significance of jeans for American society over time and the symbol they serve for popular culture.
From the Paper "Jeans, or to be exact, blue jeans, have been carrying its very symbolic significance for America over the last 150 years. For the past century and a half, the culture of jeans has changed the ideological symbolism from initial proletarian wardrobes (toughness, independence, and hardworking) in the mid-nineteenth century to modern twenty-first century representation of selfness (uniqueness, individuality, and personal styles). Not only has the ideology changed over time, but the jeans per se, its design, style, embellishment, or even marketing strategy also change from "western-era" plain style emphasizing durability, through "rebellious-period" creative style stressing anti-tradition, to "post-war epoch" advocating casualness, following neck-and-neck along the societal pulsation. Jeans therefore can serve as an accurate barometer of trends in contemporary, now and then, popular cultures."
Abstract This paper explains that the legendary pirate, Jean Laffite, who lived from 1780 to 1825 (approximately), was born in Bayonne, France. The family eventually migrated to the Island of Espanola from where the Laffite brothers sailed the Gulf and the Caribbean and were involved in many privateering missions. The author points out that a pardon was offered to Laffite in 1814 by the British if he would assist them in attacking New Orleans, but Lafitte refused and informed the U.S. of the plans, which resulted in Lafitte fighting for Andrew Jackson in the Battle of New Orleans in 1815 and receiving a pardon from President James Madison. The paper relates that Laffite sailed to Mugeres Island, which is off the Yucatan coast, where he continued his pirating activities until sometime around the year of 1825 when he became "mortally ill," returned to the mainland, and died.
Table of Contents
Jean Laffite
Laffite and Governor Claiborne
Laffite and General Jackson: The Battle of New Orleans
Laffite: The Hero
Conclusion
From the Paper "The U.S. Army and Navy attacked Laffite and captured some of his ships. Laffite still announcing his loyalty to the United States offered his assistance to the worn and weary troops of General Andrew Jackson defending New Orleans in exchange for a full pardon for himself and his men. General Jackson accepted the proposition and Laffite and his men, now called the Baratarians, fought with all their might in the Battle of New Orleans, which took place in December of 1814 and January of 1815. General Jackson said that Laffite was "one of the ablest men" in battle and a proclamation of pardon was issued by James Madison, President, for Laffite and his men."
Abstract This paper explains that Jean-Pierre Jeunet is a self taught filmmaker that treats the medium as an art form in which the details of the craft are just as important, or even more important, than the subject matter itself. The author points out that Jean-Pierre is one of few true film auteurs, who enjoys taking part in almost every aspect of filmmaking from writing the script, storyboarding, set design all the way through the editing process. The paper analyzes his films "Delicatessen" (1992), "City of Lost Children" (1995) and "A Very Long Engagement" (2005); however, the primary focus is on "Amelie" (2001), his most famous film and the first film he wrote and directed alone.
From the Paper "While the look and style of his films come from several sources and could be highly debatable, the main themes and tone come from entirely different influences. In other words, while German expressionism can be spotted right away on the set of "Delicatessen" with its angular, shadowy and dark exteriors--neither the characters nor the overall tone of the movie goes along with the ideas of German expressionism. Satirical comedies and light heartedness do not coincide with the style of German expressionism or French new wave."
Abstract This paper analyzes and explores the character of Antoinette Jean Rhys's "Wide Sargasso Sea". The paper attempts to examine her role as a woman, a native of the Caribbean, and a wife.
From the Paper "Jean Rhys's Wide Sargasso Sea tells the story of a woman who most readers are familiar with, but know very little about. Antoinette is better known to most as ?Rochester's mad wife,? from Jane Eyre, a portrayal that is slightly less than three dimensional and, as she is nowhere near being the story's main character, gives little in the way of deep characterization. Rhys picked up the character and gave her a backstory, a history that helps us better understand her "madness" and, in general, who she is. Rhys? Antoinette is fully fleshed out, and through examining her text, Antoinette's madness in Eyre and the latter portion of Wide Sargasso Sea is easier to rationalize. "
Abstract This is an argumentative paper regarding the play "Tartuffe" written by Jean-Paul Moliere. The author has taken a unique stance equating the family, and their relationships to the military and its chain of command in the play. The author concentrates on how Orgon, the father in the play, failed as a commanding chief and father.
From the Paper "When Jean-Baptiste Moli"re decided to write the play Tartuffe, he knew full well that this play would contain a story of religious hypocrisy that would be very controversial. But to make his point more clear Moli"re was not attacking religion itself, but rather the hypocrites within it. In this same manner Moli"re made a very strong statement about the structure of the family in his time. Moli"re used the platform of a comedic play about religious hypocrisy to show a common fault of the family structure, a structure not all unlike that of the ranks in the military. He illustrates a conventional dissension among the very ranks of the family structure. He demonstrates how Orgon, the father, fails in his responsibilities as the commanding officer of his own unit/family. But before one can unquestionably state that Orgon failed, a good example of a commanding officer must be given."
Tags: century, orgon, seventeenth, father, family, commander, military, duty, deceit
A comparative analysis of the lives and writings of two different authors St. Jean De Crevecueur and Tom Paine who both envisaged the establishment of the United States of America.
Abstract This paper looks at the works of St. Jean De Crevecueur and Tom Paine, both from the early Puritan period, one a Frenchman and one an Englishman who defined the America as seen through their own eyes and illustrated contrary ideas of the new world that was to come. Thomas Paine focused directly upon the United States' aims and objectives by influencing the breaking off of America from England in order for the country to expand itself and be its own free government. Crevecueur saw it being an abundant, affluent and liberated country rich in agriculture.
From the Paper "Thomas Paine's Common Sense, focused directly upon the United States' aims and objectives by influencing the disjoined of America from England in order for the country to expand itself and be its own free government. Thus, he utilized the metaphor of a "young oak" that became "full grown" in order to symbolize as well as encourage this change. In the novel, Common Sense, the most general theme that run throughout the novel was growth that had to do directly with the extensive landscape, the distended population of the United States, the government system that was becoming more like an adult independent who has grown- up to the mother country and the abundant soil of the Americas, which all reflected and helped to give this rising country (A. Owen, 1984)."
Tags: france, revolution, england, civil, freedom, natural, reason, rights, free, government
Abstract This paper looks at elements of freedom and choice in the world through Jean-Paul Sartre's "Being and Nothingness". In particular it examines his writings on freedom which appear in "Being and Doing: Freedom", Chapter One, part four. The writer focuses on the impact of the industrial age on modern philosophical thought. The paper examines the basic tenets of Sartre's philosophy and provides an understanding as to how this fit in to the meaning and function of life in the post-industrial age.
From the Paper "Jean-Paul Sartre wrote in, Being and Nothingness, that the first element of freedom is condition of action and that the fundamental element of free action is one that is a choice of the self in the world and by the same token it is a discovery of the world (Sartre, 461). When examining the foundations of our modern philosophical thought, it is necessary to understand that where religion once provided the sole source of philosophical inquiry, the advent of the industrial age was the moment in time when Man began to take control of the world and society in manners that had never before been witnessed".
Tags: choice, industrial, age, philosophical, modern
Abstract The concepts of existence and human freedom have been presented by Jean-Paul Sartre in his book entitled "Being and Nothingness", and they represent essential parts of his theory. However, Sartre also presents other related concepts, such as bad faith which as been referred to as a device that protects us from the anguish of realising that we are freer than we like to think we are. With this in mind, the purpose of this paper will be to examine why Sartre thought that existence is absurd, as well as the significance of this idea to his view of human freedom.
