A discussion of how the dialogue and cinematography supports and adds to the satire in the film "Snatch", directed by Guy Ritchie.
Written in 2009; 1,985 words; 1 sources; APA; $ 63.95
Paper Summary:
This paper discusses and reviews director Guy Ritchie's 2000 film, "Snatch." The paper first discusses the plot of the film and the casting of the characters. It then looks at how the film's dialogue contributes to the satirical comedy. The skillful way that the cinematography capture the locations in a way that supports and adds to the film's satire is also examined.
Table of Contents:
Casting
Screenplay Dialogue
Cinematography
From the Paper:
"There are a lot of tight and difficult camera shots in the film, where the cameraman has to work fast. In other scenes, the wider and expansive pans of open scenery, like at the gypsy camp, creates the sense of place that the director is attempting to convey to the audience in order to support the satirical elements of the film. The close shots are reserved for the emphasis of innocence, in Tommy and Turkish, and the deadliness of Boris, Tony, and Brick Top. Brick Top's yellowed teeth stand out whenever the character is involved in one of his many fast paced diatribes of dialogue."
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