Paper Summary:

The paper illustrates how the cinematic techniques used by the documentary "Bowling for Columbine" are crafted upon the use of irony. The paper also shows how "Bowling for Columbine" is compelling because directory Michael Moore uses slice-of-life film in 'real time' to show how he, along with the viewer, is searching for answers as to what is real, in a culture where so much unreality characterizes the depiction of American violence. The paper discusses Moore's belief that greater corporate and individual responsibility in America is necessary to prevent the Columbine tragedy from occurring again.

From the Paper:

"The cinematic techniques used by the documentary "Bowling for Columbine" by Michael Moore are entirely crafted upon the use of carefully delineated irony. The film contrasts the real need to protect the nation's citizens with the zealous love affair that Americans have with guns. The title of the film refers to the tragedy at Columbine High School, Ohio where the all-too typical adolescent angst of a group of troubled teens was the tinder that combined with the spark of easy access to guns. This cumulated in a conflagration of violence, as they vented their frustrations upon their fellow pupils. Only in America, Moore suggests, could such a horrific event occur. It is not that teens are not unhappy or bulled in other lands, but no other land makes it so easy and acceptable to wield the deadly power of firearms as a way to vent anger."

Sample of Sources Used:

• "Bowling for Columbine." Directed by Michael Moore. 2002.

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