A detailed review of the French movie "L'Atalante," directed by Jean Vigo, and depicting Paris in the 1930s.
Written in 2009; 2,314 words; 7 sources; MLA; $ 71.95
Paper Summary:
This paper discusses Jean Vigo's film "L'Atalante," and his social cinema style. The writer explains how the movie depicts the growing desire of French women between the world wars for liberation and an identity beyond their traditional roles through the story of one woman's search for herself. The movie is described in detail and the writer shows how it subtly criticizes the decay and decadence of interwar Paris as it draws Juliette to her downfall. By carefully manipulating the way in which he presents his main character, Vigo paints her not as an immoral and selfish woman, but rather as a young girl, fooled by the bright lights of La Ville Lumiere.
From the Paper:
"L'Atalante begins with a wedding in a small village in France. The bride and groom, followed by a surprisingly somber procession, make their way through the village and surrounding fields, to a nearby river. There waits a barge, of which Jean (Jean Daste), the groom, is captain. As the two board the boat, we are privy to the conversations between the townsfolk. The groom is apparently, a stranger. Juliette considered herself too good for the men of the town. L'Atalante sails away from the village and the crowd of disapproving onlookers, including one particularly threatening image of an old woman, shot from a low-angle, and silhouetted against a dark and foreboding sky. This scene, suggests not only Juliette's physical departure from her home, but also her departure from her youth and innocence."
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