A critical analysis of the dilemmas of identity that are portrayed within the two films, "High and Low" and "Ikiru," directed by Akira Kurosawa.
Written in 2008; 1,344 words; 5 sources; MLA; $ 45.95
Paper Summary:
This film study analyzes the existentialism that arises within the social and individual conflicts that are found within the films "High and Low" and "Ikiru," directed by Akira Kurosawa. It analyzes the characters and their relation to the plot of these two films and thereby leads us to understand the dilemma of identity (society versus the individual) that surfaces in these existential films of the 50s and 60s.
From the Paper:
"This type of filmmaking is reenacting the sense of loss that the Japanese suffered after World War II, which embody a sense of rebirth for Watanabe. Kurosawa sought to bring these social issues to the forefront of filmmaking, since it offered a new way to expose the social and individual problems that the Japanese faced in their culture. By understanding Watanabe's individuality, the premise of existential freedom becomes the premise of Kurosawa's desire to liberate the self from societal norms. This is how existential philosophy plays a key role in Kurosawa's films, as he explores how it is not society that dictates social norms; it is the individual actions of insightful and brave individuals that redefine Japanese culture."
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