Compares Monet's cool, abstract approach and Van Gogh's warm, emotional approach to the metaphor of fertility via women and flowers.
Written in 1999; 2,250 words; 8 sources; $ 79.95
Paper Summary:
"The association of women and flowers as a metaphor for fertility is at least as old as the Roman goddess Flora. It is not, therefore, surprising that both Monet, Women in the Garden (1866-67), and Van Gogh, La Berceuse (1889), employed this fairly common idea
From the Paper:
"The association of women and flowers as a metaphor for fertility is at least as old as the Roman goddess Flora. It is not, therefore, surprising that both Monet, Women in the Garden (1866-67), and Van Gogh, La Berceuse (1889), employed this fairly common idea. But a comparison of the manner in which they used this visual trope demonstrates some of the fundamental differences in their approaches to painting. Monet's revolutionary realism did not preclude the use of a classically balanced composition. And his cool, somewhat distant, scientific approach is accompanied by a generalized, classically schematized metaphor. His presentation of the cycle of female fertility has an abstract, intellectualized quality even though, as biographical facts show, the theme may have had important personal associations at the time. Van Gogh's presentation, on ..."
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