A sociological study of Hildegard of Bingen, Clara Schumann and Madia Boulanger and their works in a male-dominated field.
Written in 1993; 2,250 words; 12 sources; $ 79.95
From the Paper:
" Women Classical Composers: A Sociological Perspective
Women composers throughout the centuries have written prolifically, but they have not been recognized as readily as their male counterparts. Ideally, there would be no need to separate the accomplishments of women from those of men. Judgments of merit should be based only on artistic ability. History shows that women have been composing since the third century, but inequities exist in society's recognition of their talent and creativity (LePage vii).
Women have been music makers for as long as men have, but their work, especially in composition, has gone unnoticed, unpublished, unperformed, and often forgotten. This unfortunate situation is due to the manner in which gender is construed, a process which has profoundly impacted women composers in Europe ..."
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