Analysis of Jon Lewis' account of blacklisting in Hollywood in "We Do Not Ask You To Condone This" and his theme that blacklisting actually saved Hollywood.
Written in 2002; 1,400 words; 1 sources; $ 53.95
Paper Summary:
The author's central thesis is that the blacklist "saved" the Hollywood film industry in that it allowed corporate restructuring of an inefficient, largely entrepreneurial enterprise at a time when the film industry faced a variety of challenges in the marketplace and from government regulators.
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