This paper outlines the principle features of Richard Wagner's operatic aesthetic, and illustrates its practical realization with reference to the operas "Tristan", "Isolde" and "Parsifal". The author conveys an understanding of Wagner's operatic aesthetic and illustrates its practical implications in the writing of "Tristan" "Isolde" and "Parsifal" through examples from the operas and the inclusion of citations from a variety of written and Internet sources.
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