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Virtual Reality of Janet Cardiff


# 84393
Virtual Reality of Janet Cardiff
This paper looks at the work of Janet Cardiff, examining the ways in which she uses her voice and other sounds to create a false but convincing "virtual" reality.
2,025 words (approx. 8.1 pages) | 4 sources | 2005 United States


Paper Summary:

This paper examines two of the audio installation works of Canadian artist Janet Cardiff "The Large Slow River" and "Missing Voice" in the context of creating virtual realities. The paper also looks at aspects of the history of recorded sound and voice. In addition, the writer discusses virtual reality as a personal storytelling device. The first page presented in this article is a research proposal.

From the Paper:

"The creation of virtual reality is an attempt to re-create the world of actual human experiences through digital means, always attempting to make it more and more realistic. Janet Cardiff's work attempts this also, but without using digital visual representations of reality. Instead she uses sounds and words to elicit the memory and pre-existing knowledge of the audience/participant. This process creates an even more realistic "virtual reality," since memory often involves synesthesia, using all five of your own senses and not just the digitally created artificial ones of computer "virtual reality"."

Cite this paper

APA Citation:

Virtual Reality of Janet Cardiff (2012, January 15). Retrieved February 13, 2012, from http://www.academon.com/Essay-Virtual-Reality-of-Janet-Cardiff/84393

MLA Citation:

"Virtual Reality of Janet Cardiff" 15 January 2012. Web. 13 Feb. 2012. <http://www.academon.com/Essay-Virtual-Reality-of-Janet-Cardiff/84393>




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