An overview of the Arles period, the influence of Van Gogh and Gauguin on each other and the place of biography in their art.
Written in 2003; 2,409 words; 5 sources; MLA; $ 73.95
Paper Summary:
This paper discusses how, when the artist Vincent Van Gogh requested self-portraits from his artist friends in Paris, Gauguin sent his with the inscription 'Les Miserables', identifying himself and the artist in general with Victor Hugo's character Jean Valjean. It explores the theme of the artist as outsider through the work and interaction of Van Gogh and Gauguin, focusing on the period they spent together in Arles at the 'Yellow House'.
Outline
Self-Fashioning: The Idea of the Artist
Les Miserables
Theory and Practice
From the Paper:
"In the aftermath of his breakdown, Vincent wrote to Gauguin, "Ah_ My dear friend painting is to us what the music of Berlioz and Wagner was before us"a consolatory art for sore hearts_ And yet there are only a few like you and me who feel it?. Gauguin went into the "Studio of the South" with similar sentiments. He responded to Vincent's request for self-portraits from his artist friends with Les Miserables, associating his plight with that of Hugo's Jean Valjean"the fugitive/outcast. But the title is suggestive beyond its literary allusion. Van Gogh went through life swinging from optimism to despair, and Gauguin was certainly mis"rable for a good portion of his days: "my brother understands you, and when he tells me you"re another unhappy wretch like me that proves he understands us? ."
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