This paper discusses the subject of truth and the documentary film, making use of the beliefs of film director Errol Morris.
Written in 2005; 2,250 words; 2 sources; $ 89.95
Paper Summary:
This essay examines the question of the presentation of film and looks at the topic of truth within the documentary film. The writer considers the words of Errol Morris, the director of 'The Thin Blue Line', who believes that documentaries can be as personal as fiction film making. The writer discusses that Morris challenges the concept that objective truth may be captured through film.
From the Paper:
"Errol Morris, director of 'The Thin Blue Line', has criticized the cinema verite style of documentary, arguing that: "There is no reason why documentaries can't be as personal as fiction filmmaking and bear the imprint of those who made them. Truth isn't guaranteed by style or expression. It isn't guaranteed by anything". In making this argument, Morris is not only challenging the idea that objective truth can be captured through film, but that the generic line between fictional film and documentary film can often be extraordinarily blurred."
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