Examines aesthetic visions, creative origins, plot and impostor protagonists of 1982 film & 1990 play.
Written in 1999; 1,350 words; 4 sources; $ 47.95
From the Paper:
" This paper compares and contrasts the aesthetic aspects of Sydney Pollack's 1982 film, Tootsie, and John Guare's 1990 play, Six Degrees of Separation. Both are contemporary comedies, dealing in part with the nature of reality and the importance (or lack thereof) of truth. Both offer duplicitous characters who, by pretending to be someone they are not, change the lives of those around them. One becomes a better man as a result of the experience of pretending to be a woman; the other is not himself changed but instead forces the wealthy matron he encounters to try to make sense of her life and to expand her imagination. Each is an example of a distinct aesthetic object, Tootsie as a film and Six Degrees as a written play, a literary work that can be staged as a dramatic performance. Each is intended by the creating artist to provide an aesthetic experience for the.."
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