A comprehensive review of Michael Hilger's 1995 book "From Savage to Nobleman: Images of Native Americans in Film."
Written in 2000; 1,452 words; 1 sources; MLA; $ 48.95
Paper Summary:
This paper examines how in his book "From Savage to Nobleman: Images of Native Americans in Film", University of Wisconsin ? Eau Claire professor Michael Hilger investigates the portrayal of American Indians in movies. Hilger watched hundreds of movies, from silent era epics to modern-day blockbusters, to determine the manner in which Hollywood depicts Indian characters. It discusses how Native Americans comprise an extremely small portion of the nation's population and how because many people do not have the opportunity to interact with Native Americans, their views and beliefs about them are typically shaped by the racial stereotypes found in movies. It analyzes how Hilger attempts to destroy many of the false impressions of Indians in the movies by recognizing them for what they are, lies.
From the Paper:
"Hilger's writing style is very methodical. Before entering into the examination of films featuring Indians, he sets forth the specific criteria he used for determining into which category a particular depiction of Indians should fall. One such "measuring stick" was the Indian's attitude toward whites. Typically, savage Indians are ?enemies to the whites and obstacles to westward expansion,? while Noble Red Men "are friends to the whites and realize they must adapt to white culture or face extinction" (Hilger 3). Hilger also characterizes Native American men as either Savages or Noble Men by their attitude toward white women: Noble characters are attracted to the white women, while Savage characters, "driven by their hostility, capture and rape white women" (Hilger 7-8). Hilger identifies a number of other general characteristics of both the Noble and the Savage Indian and describes these traits at the beginning of the book."
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