Examines aesthetic value and artistic meanings, both designative and embodied. Discusses views of two art critics, including Danto's emphasis on artistic intention as the primary agency of meaning and Hickey's emphasis on the experience of the completed art.
From the Paper:
"When Danto considers the dominant aesthetic measure of art to be the artist's intention or thought and Hickey considers it as the complement of value judgments that the viewer of art brings to the enterprise of response to the work, one effect of their ..."
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