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The Evolution of Richard Wagner


# 25924
The Evolution of Richard Wagner
Explores the themes present in Wagner's operas "Parsifal" and "Lohengrin". Discusses how they represent common threads in Wagner's life as well as his evolution as a composer.
1,059 words (approx. 4.2 pages) | 0 sources | 2001 United States


Paper Summary:

This paper discusses how Richard Wagner's operas "Parsifal" and "Lohengrin" share common themes such as religion, good and evil, love, lust, and Christianity. It shows how Wagner's typical characters are present in both operas. This essay explores the differences between Wagner's first works, and his last opera.

Table of Contents
Elsa's belief in God
Wagner's Views on Judaism.
"Blood Pollution"
Ortrud, Judaism and Paganism.
Purity and Foolishness
Lust and the Loss of Naivete

From the Paper:

"Although Richard Wagner's operas Lohengrin and Parsifal were written more than thirty years apart, they share many similar themes. Both dramas are intensely religious, although Wagner spent most of his adult life as an atheist, or at best, an agnostic. A closer look at the characters in each opera presents Wagner's favorite archetype, but their interactions and fates are not necessarily the same. Lohengrin, written at the beginning of Wagner's professional career, and Parsifal, written in the last years of his life, exemplify the evolution of a personal philosophy."

Cite this paper

APA Citation:

The Evolution of Richard Wagner (2012, January 15). Retrieved February 10, 2012, from http://www.academon.com/Essay-The-Evolution-of-Richard-Wagner/25924

MLA Citation:

"The Evolution of Richard Wagner" 15 January 2012. Web. 10 Feb. 2012. <http://www.academon.com/Essay-The-Evolution-of-Richard-Wagner/25924>




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Published by:

Honeybean US
Publisher Since:
Apr 05, 2003
BM in Music, Voice Performance MM in Music, Voice Performance Graduated Cum Laude from Honors College. Member of Golden Key Honors Society, Pi Kappa Lambda Honors Society, National Merit Scholar, Academic scholarship recipient. Languages spoken: English, French (fluent), German (conversational) Graduate assistant in voice pedagogy
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