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The Cycladic Era and French Sculptors


# 14518
The Cycladic Era and French Sculptors
Examines the works of the pre-Greek era ("Harpist") and of Pierre Le Gros ("Saint Thomas") and Auguste Rodin ("The Burghers of Calais") and their cultural/historical significance.
2,025 words (approx. 8.1 pages) | 6 sources | 1999 United States


Paper Summary:

"Sculpture is an expression of the world reshaped in wood, stone, or some other material in three-dimensional form. Sculptors express themselves differently in this form of art in different times periods. Sometimes sculptors are reflecting community concerns and using these materials as a form of magic or religious expression and sometimes as a personal expression of deep-seated views of how humans relate to the world.

From the Paper:

"Sculpture is an expression of the world reshaped in wood, stone, or some other material in three-dimensional form. Sculptors express themselves differently in this form of art in different times periods. Sometimes sculptors are reflecting community concerns and using these materials as a form of magic or religious expression and sometimes as a personal expression of deep-seated views of how humans relate to the world. Early sculpting tended to have a magical element, as in ancient fertility images to encourage the having of children, or in images of heroes in later eras to encourage others to have courage as well.

The Cycladic or pre-Greek era is represented at the Getty Museum in California by a number of works, such as the Greek island marble figurine "Harpist," from about 2500 B.C. This is ..."

Cite this paper

APA Citation:

The Cycladic Era and French Sculptors (2012, January 15). Retrieved February 13, 2012, from http://www.academon.com/Essay-The-Cycladic-Era-and-French-Sculptors/14518

MLA Citation:

"The Cycladic Era and French Sculptors" 15 January 2012. Web. 13 Feb. 2012. <http://www.academon.com/Essay-The-Cycladic-Era-and-French-Sculptors/14518>




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