This paper examines the aspects of the "film within a film" device in Victor Erice's "The Spirit of the Beehive."
Written in 2002; 830 words; 1 sources; $ 29.95
Paper Summary:
This paper looks at the film "The Spirit of the Beehive" by analyzing its use of Frankenstein as an opening to the film and subsequent scenes and how this effects the viewers and the characters in the main film. It also looks at this specific tool of "a film within a film".
From the Paper:
Victor Erice's film The Spirit of the Beehive, presents the audience with images of the film Frankenstein. The introduction of Frankenstein serves two purposes in the film. First, the film Frankenstein acts as a Greek chorus in the movie. The film within a film directs attention and comments on action. Secondly, the film Frankenstein introduces a monster that is a symbolic representation of Franco.
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