This paper answers the question "how does the definition of art change across cultures and times?"
Written in 2002; 900 words; 5 sources; $ 35.95
Paper Summary:
It makes reference to the anonymity of the early Gothic masters of woodcarving and the anonymity of Buddhist artists in historic Asia and contrasts them with specific works by Isamu Noguchi, Pablo Picasso, and Joan Mir that demonstrate the same level of religious intensity and act as humble (or not-so-humble) monuments, albeit permanently connected to the individual artist's name.
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