This paper discusses the intricate relationship between medieval Mali culture and art in everyday life.
Written in 2002; 1,497 words; 4 sources; MLA; $ 49.95
Paper Summary:
This paper explains that, at its height around 1400 A.D., the empire of Mali, extending from the Atlantic African coast to east of Gao, was a center of commerce, culture and education. The author points out that medieval Malian art in all of its different forms had a defined role and that function was to reflect, express and highlight daily life, customs and ideas in their world. The paper relates that in addition to the worldly objects of daily life were the exquisitely fashioned articles of religion, such as headdresses, masks and statues, which were all important in the worshipping of Malian deities and chiefs.
From the Paper:
"Aside from the numerous items in Mali life that played a role in work or worship, there were also those that merely indicated one's standing in society. Instead of money (in medieval Mali, gold) being the only measurement of prestige, jewelry, certain types of furniture, and even corporal markings (tattoos, piercings) served as a way of showing one's role in Mali society. While many of these articles did indicate social standing, they also could play a role in rituals. For instance, a necklace could denote prestige, ward off evil forces, and adorn the body all at once. Malian jewelry, one of the most esteemed crafts, was then and is now renowned throughout Africa and the world. Using the resources around them (gold, diamonds, other precious metals and gemstones), Mali artisans would fashion necklaces, earrings, bracelets and brooches, and especially rings. These works of art would not only have deep spiritual meaning - one necklace symbolized the sun spirit - but could also indicate how wealthy a person was, what their occupation was, and even whether or not they were married."
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