"The Annunciation"

Paper Summary:

In this paper, the artistic style of mannerism are brought forth in analyzing the stylistics of the "Annunciation" by Parmigianino. The various aspects of historicity and political perspectives of this painting are analyzed within the scope of a technical analysis of how the piece was composed. Through an understanding of brushstrokes, lighting, theological characterizations, as well as the concepts of humanist elements in this painting, the paper shows the innovation and bizarre nature of Parmigianino's work.

From the Paper:

"This artistic evaluation will encompass the various stylistics of mannerism that reside within the painting "The Annunciation" by Parmigianino. By analyzing the physical forms of the Christian characters within this painting, one can realize hoe Mannerism depicts elongated and distorted human figures. In this medium, the use of color can also be expressed to understand this artistic style in relation to religiosity of the composition. Furthermore, by evaluating the line and brush strokes used in this painting the ideal of mannerism becomes apparent, as Parmigianino depicts a sense of In this manner, Parmigianino is depicting the elongated form to The color used in this composition is directly related the religious theme of godliness that Parmigianino found within iconographic paintings."

More papers on "The Annunciation":

• Essay # 1943 : "'The Annunciation' as Interpreted by Francisco de Zurbaran"
• Comparison Essay # 47176 : "The Holy Trinity" and "The Annunciation"
• Analytical Essay # 148129 : "Passions of the Baroque"

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