Examines the theory and practice of the use of machine imagery, digital technology, video, etc.; financing, examples, the impact on the definition of art and aesthetics.
Written in 1999; 1,800 words; 10 sources; $ 63.95
Paper Summary:
"Since the turn of the century artists have incorporated machine imagery into their art. But, whether they were frightened by the threat of a dehumanized, mechanized society or pleased by the hard lines of factories and machine-made objects, they only borrowed their images and their style for use in traditional art media
From the Paper:
"Since the turn of the century artists have incorporated machine imagery into their art. But, whether they were frightened by the threat of a dehumanized, mechanized society or pleased by the hard lines of factories and machine-made objects, they only borrowed their images and their style for use in traditional art media. In the 1960s, however, artists began to expand the boundaries of their media with the incorporation of machines and technological processes into their art.
From radio broadcasts and videotape to functioning mechanical objects and digital computer imagery, the last three decades have seen the increasing use of various technologies to make art. Instead of visual or thematic inspiration for painters or sculptors technology today is used as a part of art, in the service of art, and as forms of art. But these are arts in their infancy and for ..."
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