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applies, cooley, directed, film, four, gary, major, marx, perspectives, pleasantville, ross, sociological, sociology, william
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Essay (General) # 58279 :: Sociological Perspectives in "Pleasantville"
Applies four major perspectives of sociology to the film, "Pleasantville," directed by Gary Ross.
Written in 2004; 1,667 words; 1 sources; MLA; $ 54.95
Paper Summary:
In contemporary sociology, four major perspectives are widely accepted. Each of these viewpoints serves as a platform from which one can understand the same sociological phenomena. Although they are each distinct ways of interpreting reality, each can be used to derive conclusions about specific phenomena that occur. The paper describes the four contemporary theoretical perspectives as the functionalist perspective, the conflict perspective, the symbolic interactionist perspective, and the postmodern perspective. The paper looks at how all four of these angles are exhibited clearly in Gary Ross's film, "Pleasantville".
From the Paper:
"The fact that this inevitable struggle eventually brings about social change clearly supports the neo-Marxist approach to the conflict perspective. Unlike the functionalist perspective, this viewpoint is shown somewhat before the children leave their reality at home. The scenes of modern-day high school also moderately display the different social groups and cliques which compete for social status. The students are learning about the "competitive world" ahead of them in class. They are being taught that a degree will get them everywhere and that it is the only way to succeed. This is going to perpetuate the Weber belief in the importance of economic conditions in producing inequality and conflict in society."

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