Examines variations in style and aesthetic aims, Seurat, the two types of Impressionism of Degas and Monet, the 1863 Salon des Refuses and Impressionism and the rejection of Manet, the artists Cassat and Morisot, and women as objects.
From the Paper:
"As Brettell points out, Georges Seurat's "A Summer Sunday on the Island of La Grand Jatte" is the "crowning achievement" of Neo-Impressionism (which Seurat claimed was his style), or the Scientific Impressionistic art movement (24). The techniques ..."
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