This paper details the evolution of French artistic and literary expression from before WWI to after WWII. Dadaism, Surrealism, Absurdism, and many of the famous writers of those periods are examined. The paper focuses on the works of Jean-Paul Sartre and looks at influences on his writing, as well as his impact on the Absurdist movement. The paper also analyzes some of Sartre's more famous plays and discusses his philosophy.
From the Paper:
"There was a brief period of economic prosperity and progress in France, called the belle poque (beautiful epoch) before World War I in the early years of the 20th century and right before the wave of pessimism began in the 1920s (Cosper 2004). At this time, inventions like the telephone, the automobile, the airplane and the cinema refreshed modern life. Literature turned away from old styles, such as naturalism, and into the newer and more exciting forms, like cubism and bold experiments by Apollinaire. Other playwrights followed the lead of Apollinaire and introduced stage innovations, among them, Alfred Jarry with his extravagant farce in Ubu Roi in 1896 and Ubu King in 1951 and Paul Claudel. Alain-Fournier's novel, "The Wanderer", denied the limitations realists and naturalists placed on the human imagination and philosopher Henri Bergson proposed the naturalist view that human destiny was predetermined and that people had freewill and unlimited creative energy (Cosper)."
"Sartre" 08 February 2012. Web. 10 Feb. 2012. <http://www.academon.com/Essay-Sartre/52763>
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Aug 29, 2004
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