An analysis of the Globe Theatre's production of William Shakespeare's "Richard II" looking at interpretations of the play and the politics it embodies.
Written in 2003; 1,491 words; 4 sources; MLA; $ 49.95
Paper Summary:
This paper provides a personal interpretation the all original all-male production of William Shakespeare's "Richard II" at the restored Globe Theatre in London. Through an examination of the text, references, humour and pathos in the interaction of the characters, it looks at the transformation of the weak, arrogant monarch into the pathos-filled figure of the defeated king that is the centre around which the story revolves.
From the Paper:
"The historical walls around the play, the political background that serves to propel to plot forward is, in its way, nothing but that: mere background, a canvass onto which Richard's tragedy is painted in rich hues. And yet, I must hasten to add that this interpretation is not absolute: rather, it is my perception of the way the Globe production interpreted Richard II, and therefore it is that interpretation that I would argue for in this paper. As Brooker notes, ?while any number of valid interpretations is possible ? and so the celebration of these multiple readings for their own sake is misguided ? these various, contradictory meanings need to be argued for and supported if they are to extend beyond the microsphere of the individual reading.?"
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