Analysis of Alfred Hitchcock's 1956 film. Ethics of voyeurism explored by the director. Describes main character as a professional photographer and professional voyeur. Confined to a wheelchair after an accident, he "watches" his neighbors thorugh a rear window and discovers their secrets, including a murder. Relation of danger to excitement.
From the Paper:
""Perhaps only one other filmmaker -- Walt Disney -- lived to see his name become synonymous with a certain type of screen entertainment: In Hitchcock's case, it was stylish, sophisticated suspense, laced with humor and romance" (Maltin, 1994, n. p.). Ebert has said of Rear Window that "here's a film about a man who does on the screen what we do in the audience -- look through a lens at the private lives of strangers" (2000, n.p.).
Alfred Hitchcock started in the movie making business in 1920, before there was color, before there were "talkies", and this greatly influenced the way he directed and filmed a movie -- the way he "saw" the movie. His experience helped him to understand that a picture is worth more than a thousand words of dialogue. According to Maltin, Hitchcock "proved that the presence of sound was no reason not to continue to tell stories ..."
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