Looks at an historical re-visioning of fascism within Bernado Bertolucci's film "1900".
Written in 2005; 1,840 words; 11 sources; APA; $ 59.95
Paper Summary:
This paper looks at the representation of fascism within the film medium of "1900". The paper looks at how films re-vision historical events and themes through close analysis of the portrayal of fascism in the film. The paper looks at Bertolucci himself, his views and beliefs and whether or not he challenges or advocates historical myths and assumptions.
From the Paper:
"Bertolucci was born in Parma, Italy in 1940. His father encouraged his love of film, being amongst many things a film critic, and history professor , while his mother, whom Bertolucci described as "the most mysterious person in my life" , played a rather remote role within the family. Bertolucci has created a number of films, many enjoying commercial and critical success. Bertolucci's films often make political comments, furthermore 1900, despite being funded by two major American film companies ironically displays communist sentiment. 1900 re/visions the class struggle between the peasants and the landowners within 75 years of Italian history. This is captured within a four and a half hour long 'epic', exploring the relationship between two boys born on the same day from different class structures and foregrounding the rise of fascism and socialist resistance in Italy. Arguably film is the chief carrier of historical messages , being more accessible than novels or history books. However, film is perhaps the most problematic means of historical representation. Hollywood films attempt to make profit, thus they strive to entertain, win awards, and to a much lesser extent educate. 1900 is not a Hollywood film, and despite having big name actors , the film by no means follows typical Hollywood conventions. Historical films 're/vision' history; they transcend the 'linear, analytic and scientific' , and often move beyond absolute realism. They provide a vision which is subject to the value systems and motives of the filmmaker and the period in which the film was made. Through close examination of 1900, Bertolucci's revisioning of the understanding of Fascism is clearly displayed."
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