This paper discusses Robert Rauschenberg's painting "Persimmon" from the concepts presented by Heidegger, Merleau-Ponty and Nietzsche.
Written in 2002; 1,920 words; 6 sources; $ 61.95
Paper Summary:
The author states that Rauschenberg's "Persimmon" does not look like a real subject, yet it is a real thing. From Heidegger, the "strife" between the rational and the irrational is the key to art. From Merleau-Ponty, the strength of Rauschenberg's work is found in its inherent irrationality. From Nietzsche, art represents the strife inherent in human condition.
From the Paper:
"Rauschenberg frequently takes subjects from nature (again, as is traditional in Asian art) and reconfigures them in a bright, compiled, collage-style form, so that the apparently surface perceptions of nature and color become slightly askew. One is cognizant of the fact that one is observing something simple and natural but not necessarily observing the subject as one might in so-called real life and in nature. One feels as if one is viewing the artist's perceptions of what is real, rather than the thing itself."
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