Places the characters and world of Pulp Fiction into Nietzschian terms. The thesis is that while these characters may not reflect the attitudes and ideas of Nietzsche, their world of amorality (as opposed to immorality) does.
Written in 1994; 1,350 words; 2 sources; $ 47.95
From the Paper:
"The film Pulp Fiction (1994), directed and written by Quentin Tarantino, presents a series of characters from the Los Angeles underworld. They are minor criminals battling one another for territory, for supremacy in the drug trade, and for a certain sense of honor based on an unwritten code that seems to support all their activities. This code can be very important to them even when they are unable to articulate why, for it gives them a structure within which their violent world can make some sense to them. This is also a world of kitsch, of pop icons, of commercials, of fast foods, of brand names, and so on, but it is a world that these individuals have imbued with a certain philosophy. One of the hit men has indeed started developing a more full-fledged philosophy based on his reading of a passage in.."
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