An analysis of the life and works of artist Diego Rivera.
Written in 2002; 1,953 words; 8 sources; MLA; $ 62.95
Paper Summary:
This paper explains why Diego Rivera holds a unique and intriguing position within the history of art. It shows that because his nationality and his education, his cultural inheritance and his intellectual development, these place him on a perch between two widely differing paradigms of aesthetics and representation. The paper focuses on Diego Rivera's 1917 composition, "Still Life with Bread and Fruit".
From the Paper:
"Rivera's background and professional artistic training certainly place him in a Western European tradition that stretches from the Renaissance through the period of high modernism. Rivera came of age at a time when modernism itself was in full swing, and it certainly exacted a profound and direct influence on his work. In his early life, Rivera attended a painting school in Spain, traveled significantly throughout Europe, and briefly lived in Paris, where "he was influenced by post-impressionism, mainly by Paul C"zanne's art? (?Diego Rivera (1886?1957)?). Indeed, his palette was deeply affected by modernist works of the day, and he heavily employed many modernist techniques and methods during this apprenticeship period as he continued to develop his own style. Before he ultimately returned to Mexico, he even went to Italy to study renaissance painting more formally. His work during this period reflects representative modernist trends and "shows study and analysis of neoimpressionism, C"zannism, Fauvism and Cubism? ("Biography: Diego Rivera"). While most people are most familiar with Diego Rivera's mature corpus of works in which he experimented with mural forms that depicted scenes of Mexican peasantry and other traditional scenes, his early work is much more in the European modernist tradition of post-impressionism and cubism. We will briefly examine one such representative work."
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