Examines the director's comedies and his efforts to evade the Code's moralistic structures.
Written in 1999; 2,250 words; 7 sources; $ 79.95
From the Paper:
"INTRODUCTION
Preston Sturges was known as a director of comedies, but he was very serious about the social commentary he included in these films. He directed the majority of his films in the 1940s, and at that time he had to work under the strictures of the Motion Picture Code which determined what could and could not be included as subject matter for films and how certain subjects could and could not be treated. Sturges showed the ability to skirt the edges of this code in his comedies, and indeed it can be argued that the creativity he showed in on the one hand following the Code sufficiently to get his films passed while at the same time challenging many of its basic assumptions in the subject matter and details of his films made his films more interesting, more creative, and more lasting than if he had been ..."
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