A discussion of Piet Mondrian's artistic works, focusing in particular of his progression towards neo-plastic expression.
Written in 2002; 1,507 words; 10 sources; MLA; $ 49.95
Paper Summary:
This paper considers the many influences on the career of Piet Mondrian, in particular theosophy, cubism, the Dutch tradition, Vincent van Gogh, neo-plasticism and his eventual move to New York.
From the Paper:
"Founded on an unprecedented concern with structure, unity and subtle geometry, Piet Mondrian's landscapes reveal the origins of what was to become the major preoccupation throughout his career ? universal beauty, and its abstract representation. It was a journey that would culminate in his remarkable last work Victory Boogie-Woogie, and a process which saw him grapple with Naturalistic Realism, Cubism, Symbolism (briefly) and finally Neo-Plasticism, also called the International Style, a movement he was to make his own. Mondrian's art is fascinating for the very reason it is also so hard to understand ? it was a completely new way of perceiving the relationship between the external world, inner feeling and the surface of the canvas. His abstraction was not just a move away from figurative, representational art, but a step towards transcendental purity."
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