Discusses the example of the auteurism theory of the French New Wave and the concerns and themes of the film. Examines the formal aspects of mise-en-scene, lighting, editing, and other elements and how they expressed the auteur theory.
From the Paper:
"Jean Luc-Godard's 1965 film Pierrot le Fou is one of the finest examples of the auteurism theory of the French New Wave, and as such it stretched the medium of film. American film critic Andrew Sarris, defining the auteur theory, wrote that "film should ..."
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