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Picasso's "Weeping Woman With Handkerchief"


# 22340
Picasso's "Weeping Woman With Handkerchief"
Analyzes this 1937 work in the context of this Modernist artist's stylistic, technical and thematic development.
1,350 words (approx. 5.4 pages) | 6 sources | 1995 United States


From the Paper:

"Pablo Picasso's Weeping Woman with Handkerchief (1937) comes from one of his most productive periods, an era in which he was producing works demonstrating a new emotional tension, a brooding sense of foreboding, and a preoccupation with anguish and despair. His works display a concern with the mythological image of the Minotaur and the images of the dying horse and the weeping woman (Osborne 434). Picasso's works were involved with a new way of depicting perceptions, seeking the essence of a subject rather than a strict recreation of reality. Andre Breton stated that Picasso was an heir to Surrealism (Osborne 424). The art of the time was also much influenced by changes in science and society reflecting less reliance on tradition and a different view of the uncertainties of surface structure, and these conceptions were embodied in the idea of Modernism."

Cite this paper

APA Citation:

Picasso's "Weeping Woman With Handkerchief" (2012, January 15). Retrieved February 13, 2012, from http://www.academon.com/Essay-Picasso's-Weeping-Woman-With-Handkerchief/22340

MLA Citation:

"Picasso's "Weeping Woman With Handkerchief"" 15 January 2012. Web. 13 Feb. 2012. <http://www.academon.com/Essay-Picasso's-Weeping-Woman-With-Handkerchief/22340>




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