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Passivity and Engagement in Popular Music

# 41654
Examines the role that the concepts of populism and commercialism play in the definition of popular music.
900 words (approx. 3.6 pages) | 5 sources | 2002 | United States
Published on: Oct 27, 2003

Paper Summary:

This paper will argue, with reference to a variety of cultural and music criticism, that popular music has been defined by a dynamic tension between populism and commercialism. As will be seen, while the cultural industry has a remarkable capacity to co-opt and shape subcultural products, subcultures also repeatedly challenge, parody and reinvent mainstream "patterned and pre-digested" products.

Cite this paper

APA Citation:

Passivity and Engagement in Popular Music (2012, April 01). Retrieved May 23, 2012, from http://www.academon.com/Essay-Passivity-and-Engagement-in-Popular-Music/41654

MLA Citation:

"Passivity and Engagement in Popular Music" 01 April 2012. Web. 23 May. 2012. <http://www.academon.com/Essay-Passivity-and-Engagement-in-Popular-Music/41654>




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