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The following paper will argue that the characters of Iago and Othello are diametrically opposed in Shakespeare's Othello, the Moor of Venice. To wit, while Iago is sneaky and conniving, filled with dark thoughts and plenty of hatred, Othello is a man who seems genuinely composed, free of any inner loathing or resentment towards others, and committed to an unbending code of honour and integrity that makes him, so it seems, constitutionally unable to see the villainy that lurks in Iago's heart. In the end, these two men function as foils for the other - and it may be argued that they are almost reduced to allegorical figures of the sort one might find in earlier English literature.

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